Murder

Bye Bye Man

Saying that I didn’t enjoy this film would be to lenient and purposefully dishonest. I hated this film. Bye Bye Man was next to unwatchable due to how boring it is. The premise is ok, but that’s all this film is, a premise. Who or what The Bye Bye Man is or how he came to be is never even brought up. Which might not matter for some, but it really matters for me.

In 1969 journalist Larry Redmond (Leigh Whannell) goes on a shooting spree. He asks his victims if they’ve mentioned “The Name” and to who if they did, as he kills everyone that has heard the name he continuously repeats “Don’t say it. Don’t think it”. His spree ends with him taking his own life.

Modern day, Elliot (Douglas Smith) along with his girlfriend Sasha (Cressida Bonas) and his best friend John (Lucien Laviscount) move into an off campus house. Once they move in strange events start to occur. Sasha develops a persistent cough, while Elliot finds coins on the nightstand table. Eventually while looking around the house, which came fully furnished, Elliot comes across a nightstand. Inside the drawer is the phrase “Don’t think it, Don’t say it” written over and over and carved into back corner is the name The Bye Bye Man. After this the creepiness of the house increases until Sasha convinces Elliot to host a seance led by their friend Kim (Jenna Kanell). During the seance Elliot mentions the name, infecting everyone in the room. As it turns out knowing the name allows the Bye Bye Man to influence your mind. Things begin to deteriorate quickly as Elliot looks into the history of the drawer and into the Bye Bye Man. Elliot goes to Kim for help, which she agrees to do. Though by help I mean intended to pull a Larry and kill everyone that’s heard the name. But she runs in front a train trying to help a hallucination. Elliot gets questioned by the police about this, and find him more than a little shady. After being released Elliot goes the library to hunt down the former own of the drawers, where learns about Larry and Larry’s living wife. Wondering how she has managed to survive the influence of the Bye Bye Man for so long, he goes to see her. But the answer she has aren’t the answers he hopes for…

I can’t think of a single aspect of this film that wasn’t ineptly done. From the acting, to the writing the whole film is weak. Underwhelming isn’t even close to my feelings here. The Bye Bye Man barley functions as a horror film due to the tedium it forces on its viewers.

The acting is simply terrible and not in a cute, enjoyable way that makes the film watchable. The kind that makes the films run time drag out for what feels like an eternity. The only actor to do a good job was Michael Trucco, who plays Elliot’s older brother Virgil. He along with Erica Tremblay, who plays his daughter Alice are probably the best part of this film. The one time the horror worked for me was during the film’s climax and it worked in large part to these two’s performances.

The films pacing is brutally slow. It’s 93 minute run time stretches out for what feel like forever as your wait for anything to happen. The threat is often talked about, but never comes off as threatening. The drama always comes off to cold and the frights never hit the mark. The mood will try to shift and move but comes across as sloppy and ill-conceived.

Final thoughts, this film took the wind out of me folks. I love horror films, I can’t really describe  my level of disappointment. This is what passes as a major release horror film? So often I’m upset when I see a horror film and regret not seeing it in theatres while I had the chance. Here I’m upset that I didn’t let this one pass. 2/10

Warm Bodies

How have I not talked about this movie yet? I love this movie. Love it. I’m a fan of romantic horror films, a fact that is well documented. Warm Bodies is among my top five favorites. Hell, it’s in my top 25 movies off all time. Though objectively it’s not the best. But I’m not here to be objective. I’m here to give my honest opinion. Warm Bodies is far and away more Romance and Comedy than Horror. Horror is the back drop, occasionally its brought up and that really works for here. I love the pairing of Nicholas Hoult and Teresa Palmer. But I’ll get to praising them in a moment.

Warm Bodies opens with R (Nicholas Hoult), a zombie who spends his days suffering around an airport. He spends his days trying to remember what it used to be like before he became a zombie.  His only kind of friend is M (Rob Corddry), who he stands near and they almost start conversations. The only time they speak is when to signify hunger and the need to hunt. Which they do, heading into the city. Leader of potentially last human settlement Grigio (John Malkovich), sends out a group of young survivors to scavenge in the city for supplies that are needed by the settlement, like medicine. Among them are Grigio’s daughter Julie (), her boyfriend Perry (Dave Franco), and her best friend Nora (Analeigh Tipton). R’s and Julies groups encounter on another and a fight ensues. During which R falls in love with Julie at first sight. He then kills Perry and eats his brains. Which allows him to live Perry’s memories. Including the ones of him and Julie falling in love. R manages to save Julie from the zombies as the her group is killed except for Nora. R takes Julie back to the airport where he keeps her in the plane he lives in. Filled with stuff that he likes. The two get to know one another and start to fall in love over the days that R keeps Julie there. But she has no desire to stay and after being found by the zombies, including the more dangerous Bonies. But with the aid of M, Julie and R manage to escape. After helping Julie and R escape the zombies start to come back alive. Something that upsets the Bonies who chase them out. Julie and R take refuge in an old house and spend the night. During which he reveals that hes the one who killed Perry. R then falls asleep, some that the dead don’t do and wakes up to Julie gone. R starts to head back when he runs in M, who’s leading a band of like-hearted zombies to find R. He tells him of the Bonies and how they are hunting for him, and Julie. R, M, and the other zombies head to find Julie to warn her of the Bonies coming attack.

The romantic elements work really well for me and I love the chemistry between the leads. Being based on a novel that is blatantly retelling Romeo and Juliet, the chemistry is important. Both deliver solid performances and come of as light in what is a very down atmosphere. The rest does a great job, with Rob Corddry being hilarious, and heart warming at times.

The zombie effects are pretty good, but the Bonies don’t look as good. While by no means do they look bad. I just would have preferred if they had been approached via practical effects instead of CGI. Which is my only gripe about this film.

The sound track also needs to be brought up. Because it’s outstanding. The film makes great use of some very recognizable songs such as Shelter from the Storm by Bob Dylan, Patience by Guns and Roses and Missing You by John Waite to name a few.

Final thoughts, I do love this movie. Its cute, fun and light with a healthy dose of zombie violence. It takes the classic tale of Romeo and Juliet and twists it into some new. Which is harder to pull of then it might sound. 9/10

OMBC – Odd Apocalypse

The fifth book in the Odd Thomas series and it shows, is Odd Apocalypse. This one is hands down my least favorite in the series to date, having drifted father and farther from what made this series so good. I have a few gripes about this book, but I have some praise as well.

 

That was my jumbled thoughts on Odd Apocalypse. See you next month

Beyond the Gates

It was the 80’s retro throwback feel that initially drew me to Beyond the Gates. Well that and Brea Grant, who I have been having a bit of video love affair with and is once again delightful. Beyond Brea Grant, Beyond the Gates also features famous scream queen Barbara Crampton in a different kind of role for her. Which is a refreshing change, it’s nice to see director Jackson Stewart placing her in the strange role of the video host. Though Beyond the Gates isn’t all roses, as it takes a while for the retro feel to start going and the film’s bare bones, low-budget quality of the film at times feels like it’s holding the film back.

Estranged brothers, John (Chase Williamson) and Gordon Hardesty (Graham Skipper) reunite to clean out their alcoholic fathers video store after his latest disappearance. Which has lasted so long that he’s thought dead. While cleaning out the shop, Gordon’s girlfriend Margot (Brea Grant) comes to visit and help. They break for the day and have an awkward run in with John’s friend Hank (Justin Welborn) while at the restaurant, eventually leaving rather than get into a confrontation. While in bed that night Gordon refuses Margot’s advances as he feels awkward about having sex in his fathers bed. While turning the lights out to go to sleep Gordon finds the missing key to the office. Which he explores the next day with John, inside they find a VHS board game, Beyond the Gates. They take the game home and along with Margot start playing. The video host (Barbara Crampton) spurs on the players and the players realize that by completing the game they may find John and Gordon;s father. But fist they have to survive the game and move beyond the gates…

While the film was overall okay, I found a few aspects lacking. Mainly it was how bland and apathetic feel. From the bar confrontation, to the brothers discussions on the father, to killing people for keys for the board game. None of them feel conflicted or even bothered by events that are happening. They just all roll along with what’s happening. Which makes them feel a bit like sociopaths.

The other issue the game, which overall I really like as I’m a fan of the VHS games being introduced to them via Atmosfear by a close friend back in high school. So as far as a game goes Beyond the Gates looks fun, you know, other than it being supernatural and would likely get me killed. My issue is the lack of why with the game. It’s origins are never explored nor is the purpose that it’s suppose to serve. Other than a cryptic warning at the end of the film.

I love the visuals in the film, the neon pinks and blues give a great atmosphere. One that’s as memorable as it is engaging. It was these moments that I found to be the most interesting, both for looks as well as tone. These visual elements are perfectly paired with the synthesizer music. Which is without a doubt is my favorite element of the film. I just with that it had been used more.

Final thoughts, it’s okay. Bland at times, but visually rich at others. The characters are hard to relate to due the emotional vacancy they possess. A lot of the films themes, family, alcoholism, among others is often touched on but never truly explored. Sadly to the films determent. If you’re looking for a terrifying horror film, I wouldn’t recommend Beyond the Gates. But if you’re looking for a low budget horror film with elements of an 80’s throwback then you might just enjoy this film. 6/10

OMBC – The Oath

The Oath by Frank Peretti came recommended by a coworker. So, upon his advice I picked up a copy with some rather high expectations. Expectations that were for the most part delivered on. I don’t have much negative to say about The Oath. As it’s a layered, engrossing novel that has a large cast of vivid characters. The Oath is considered to be one Frank Peretti’s best works, which makes me wonder about his other works and for being Christian Fiction, The Oath doesn’t feel overly preachy. Something I like.

Those are my thoughts on The Oath. Next Month I’ll be continuing with Odd Thomas series with Odd Apoccolypse by Dean Koontz.  See you next month and until then keep reading.

Drifter

I picked this film on a whim and was very surprised with just how much I enjoyed it. I found the visuals and music to be outstanding. Throw in the great acting and this film became a real treat. I wasn’t all that excited for the cannibals as I’ve grown used to the cliche. Which here they still are, but are also done in such a way that it becomes forgivable.

Drifter opens with Miles Pierce (Aria Emory) holding a gun to man. Who pulls a gun in turn on Miles. Miles brother Dominic (Drew Hardwood) bursts into the room the two fire. Resulting in Miles getting shot in the hand and the other man dead. The brothers then take off across the wasteland, on some vague vengeance ride. The pair get in a disagreement and Dominic storms out into the waste leaving Miles in the car. While away in the dessert having a moment to him self, Miles is beset by three highway men that proceed to beat Miles to steal the car. Dominic returns the car and kills the men saving his brother. Due the beating Miles received they stop in the small movie Demyl. They come across a man walking down the road and while asking him for directions to help he slashes one of their tires. Dominic attacks the man, who is saved by Vojah (Monique Rosario). She has the brothers follow her and gives them aid. Vojah warns them about the towns occupants, a warning the Dominic ignores going after the man again. This results in the towns cannibalistic inhabitants led by Doyle (James McCabe) killing Dominic and capturing Miles. Whom they set tormenting, torments that crescendos at a dinner where is Dominic is the main course…

What I liked most about Drifter was the visuals. As this is a very stunning film. I often found myself floored with how beautiful it was, while maintaining a heavy atmosphere. The visuals are only surpassed by the sound track, because as often I was blow away with the look and feel of the film. The music is compelling and ties in each scene together.

But being pretty and sounding great isn’t what its all about. Because what a film without actors and the actors here do an outstanding job. James McCabe makes an outstanding villain. One that started off feeling generic but quickly developed into a fun and devilish character. One that I simply love to hate.

Final thoughts, I enjoyed Drifter. Hell I’ll go as far as to say I loved it. Stunning through and through that suffered one from loose threads. What was the vengeance ride about? Did Miles ever get it? Does that matter? The answer is no, but what a ride. 9/10

Midnight Movie

While doing some research in preparation of a second season of Slasher Series, I came across this 2008 slasher gem. Though unable to make the time to a proper video review, I decided to review it all the same. Those that read this blog should be well aware of my deep fondness for Slasher films. I can say that Midnight Movie is a decent slasher, with a large victim pool and memorable dread location. Though the killer leaves something to be desired, as do the kills.

Midnight Movie opens with a psychiatrist, trying to help one of his patients Ted Radford (Arthur Roberts), who has suffered a mental breakdown and thinks he’s the killer from his film The Dark Beneath that he made forty years prior. The psychiatrist has Radford watch his film in hopes that it will allow him to come to terms with what ever. This decision is contested by another psychiatrist Dr. Wayne (Michael Swan), but his objections are ignored and he leaves for the night. When he returns later he finds signs of a massacre  with no bodies ever being found. Five years later, A small local theater is showing The Dark Beneath as a midnight special for the first time since the massacre at the psychiatric hospital. The manger Bridget (Rebekah Brandes) along with two employees Kenny (Shaun Ausmus) and Rachael (Brea Grant) prepare the theater and welcome the small group of attendees. Including a biker couple Harley (Stan Ellsworth) and Babe (Melissa Steach), Bridget’s boyfriend Josh (Daniel Bonjour), Josh’s friend Mario (Greg Cirulnick) and Mario’s girlfriend Samantha (Mandell Maughan). Tagging along is their awkward friend and horror buff Sully (Michael Schwartz). Also in attendance is Dr. Wayne and Detective Barrons (Jon Briddell), who both believe that Radford will make an appearance since this is first time in years that his film has been played and lastly Bridget’s little brother Timmy (Justin Baric), who sneaked in. As the film plays those attending notice strange occurrences such as the killer attacking those in the building. When they go to investigate they learn that the killer can leave the film and take his victims back with inside it with him. When the frightened survivors try to flee the theater they realize that what ever power has allowed the killer to escape his film has trapped them inside with him…

I love the set up for this film, and the split dread locations. The idea the killer can leave his film and also take others back with him is interesting to say the least. The fact that the film is Slasher adds a great element of a Slasher within a Slasher that I greatly enjoyed. I might of actually enjoyed The Dread Beneath more than Midnight Movie itself.  The old, colorful theater plays wonderfully against the black and white world of the Dread Beneath. Creating a great visual contrast.

The victim pool was less amazing. I loved a small handful of the characters, Harley and Babe mostly. But Rachael and Timmy were also fun, if short-lived in Rachael’s case. I also love how the film sets up Bridget up as more of victim-hero over the standard final girl trope by giving her a darker back story filled with abuse at the hands of her father.

Though not all of Midnight Movie was great in my opinion. It has a number of weak spots that are glaring if you watch enough Slasher films. The killer Radford’s motives are never clearly defined. He just kills for the sake of killing, which ruins the inciting incident. He has no reason to go all murder happy, he’s just evil. Much in the same vein that Michael Myers is just murder happy. But Michael Myers still had a goal, to murder his sister providing some idea of intent or design. Here he just kills.

The weapon of choice wasn’t the greatest either. A spiral knife… thing, while it looks cool is never seen in use as the most of the violence with it is hidden or happens off-screen. But most of kills are with said weapon causing a lot of kills to feel old hat and uninventive. I would have liked to see more variety and creativity in the killers methods.

Lastly the gore leaves a lot to be desired. Midnight Movie feels incredibly tame in this regard, much like a PG-13 horror film might be. Even though it’s rated R it never really uses the rating. Giving the film a bit of a soft feeling. When you do see gore it looks fake and even comical, which is fine but doesn’t fit with rest of the films tone.

Final thoughts, I liked it. It had been a while since I watched a Slasher and it was great to get back to seeing the kind of films I love to watch. But the weak kills and a slow pace also made Midnight Movie a bit of slog to get through at times and with the uninventive kills gets even a tad monotonous. If your fan of the genre I would recommend it, if you’re looking to get  into the genre there is defiantly better places to start. 7/10