The Windmill or The Windmill Massacre is 2016 Dutch supernatural horror film with a body count. I went into this film due to its apparent slasher qualities, qualities that were vast and valuable. Though honestly beyond group of people being stalked and killed by a supernatural force is all I knew. But for me that was enough. The Windmill didn’t surprise me as much as I was hoping it would and has a couple of issues that did get under my skin.
The Windmill opens with Jennifer Harris (Charlotte Beaumont) being confronted by her boss about the fact she lied about who she is. He tries to keep her detained until the police arrive, but she escapes by smashing a vase into his head and running away. She wanders the streets of Amsterdam until the next morning when she comes across a Happy Holland tour bus, owned and operated by Abe (Bart Klever). Also on the bus is father and son, Douglas (Patrick Baladi) and Curt (Adam Thomas Wright), photographer Ruby (Fiona Hampton), royal marine Jackson (Ben Batt), Dr. Nicholas Cooper (Noah Taylor) and Japanese tourist Takashi (Tanroh Ishida). The bus breaks down after Jennifer freaks thinking she say her father walk into the road, which would be hard she she touched him alive back in Australia. Broke down with no cell service to call for help, Jennifer and Jackson head to a near by windmill that isn’t on the map to ask for help. On the way through the woods to get there Jackson has a hallucination about the prostitute he killed in Amsterdam the night before, before he’s killed by a strange figure with a scythe. Jennifer runs back to the bus, but no one believes her, a steady theme since the doctor outs shes on anti-psychotics. Soon the bus tips over into the pond it was parked by forcing the group as a whole to walk to the windmill. Along the way they loose Takashi who follows his own vision his wrong doings deeper into the woods. One by one the tourists are forced to confront their sins before being killed by the ghost of Miller Hendrik (Kenan Raven), for devil worshiper now gate man for hell…
My issues are two fold, first is it takes forever for anyone to believe Jennifer. Like three deaths and a witness in. Which wouldn’t of been bad if the filmmakers focused on the is she isn’t she motif. But that’s never addressed, we as the audience know from the get go that she isn’t and it feels like it takes forever for the victim pool to catch up.
My next issue is also a spoiler so feel free to jump past this part. But Abe the bus driver being in league with Miller Hendrik bothers me immensely. As Abe kills the repentant, who are not killed by Hendrik to be sent to hell along with any innocents that might have been on the bus of sinners. Which feels like it defeats the whole judging people for their sins and releasing the truly repentant. Why judge people at all if you have a cohort that kills the people that make it free? Also how did Abe start serving Hendrik and the devil? The Windmill never covers that, it just gives a throw away line about how he has been working for him for many years. With all the time spent arguing if Jennifer is insane could have been used to better flesh out Abe.
The rest of the victim pool is actually okay. Nothing special, but I can be a fan of standard fare. Which here I am. The best performances come from Tanroh Ishida, Adam Thomas Wright, and Patrick Baladi. I really love Tanroh the most as it feels like he did the most with his character even though he had little time. Patrick Baladi and Adam Thomas Wright have great father son chemistry and are very believable in these roles.
Final thoughts, it was okay. But had the fixings to be really great. The Windmill need to focus more on its characters and the Miller more than anything. Most are left woefully underdeveloped and their sins never really become the focal point they should. The kills are fun, inventive and gorey. Though the CGI does look a little silly at times. 6/10